The other common reason for doubling A tracks when editing might be to increase level without venturing into previously unheard areas of the noise floor So the really easy LW option to copy sound tracks is important - and the ALT-k copy process avoid any misalignment. User hugly is right to point out in LW dynamic L/R tracking of a voice in the soundscape is best done with the sound on two tracks. rather than fiddle L/R positioning an editor might elect to copy sections of dialogue to both - to center it.
In editing it is usual to have multiple mono tracks for actors' voices often those may set to somewhat preference left or right. Go To Stereoscopic 3D, Supported Output Formats, Web-compatible file (MPEG4/H.264 at up to 1920 x 1080) with optional direct upload to YouTube. Spatial positioning left/right near/far - building a soundscape - is a task for the sound mixing suite - or if finishing sound in LW as a one stop shop - is anticipated and planned for but delayed until later stages of the editing process - the right time, for example, to put in the SFX library stereo office environment and position foreground voices into the virtual space.
LIGHTWORKS PRO STEREOSCOPIC YOUTUBE SOFTWARE
Lightworks is said to be a software especially designed by editors for. If you need different panning schemes, e.g. Compatible with most of the common video formats, the Pro version of Sony Vegas. ul liYou gain the flexibility to pan the mono recording away fron dead center per track with the mixer. Inter-cutting between two or more 'stereo' tracks in a dialogue scene would be potentially weird with inter cutting stereo background sounds rather than one hearing single sound environment in which people are talking/conversing. There are many reasons for suggesting to use separate track for mono and stereo recordings, from my point of view.
LIGHTWORKS PRO STEREOSCOPIC YOUTUBE FREE
The aim is a good clean noise free mono recording into which ADR recorded fix-ups are easily inserted as necessary - One can imagine commentary inserts into a voice recording in simonhgr's work might be a reasonably common requirement. Certainly when recording actors on a set one actually wants to avoid spatial positioning of the sound. Of course a mono track can be spatially positioned probably - more easily than a two track recording.
In production performers voice recordings are almost invariably mono - a body worn wireless lavaliere mic or a directional swinging boom mic dedicated to that performer while they are delivering lines.
0 kommentar(er)
